Trying something different

Last night I attended a workshop at gallery Kaleido in Uppsala, how to make a papier-maché bowl using pages from an old book. It was a lot of fun trying something new! Tonight it will probably be dry enough to remove the balloon; I used pictures for the inside, so I'm curious about that.

Hopefully, my bowl won't look quite as much like The English Patient when it isn't upside down... Not that I think I'll keep it anyway - I simply wanted to try the technique.

What I found most rewarding was appreciating workshop teacher Cecilia Levy's skills even more than before. Her show at Kaleido continues until 19 September.

I've started knitting a sweater with some beautiful red - the photo doesn't do it justice at all - wool I bought some time ago. This is a pattern I knitted in 1999, then with blue linen yarn. I think it works with wool as well. It's a modification of a pattern in Uuve Snidare's book "Fiskartröjor" (fishermen's sweaters).

Green Springtime shawl: finished

Green Springtime shawl: finished
Originally uploaded by Asplund

but impossible to fit into a photo: here's roughly 4/5 of it. I'll see if I can get someone to model it for me for a better photo.

I used almost two skeins (100 grams) of Wetterhoff's wool-silk blend Viva and 4 mm needles (US 6) and 3½ mm (US 4) for the border that frames the shawl.

What to knit now? Take care of UFOs (quite a few) or stash (quite a lot)? Buy more yarn?

Anyway, I'm in the mood for cables after a few months of lace galore. (Just checked: six shawls so far this year! It's a good thing I know people who like wearing shawls.)

A head of cabbage?

WIP: shawl
Originally uploaded by Asplund

Not quite. Less compact! Would you believe it, I managed to cram all the stitches around the shawl onto a single circular needle! Lace is stretchy, of course, but before picking up stitches around this shape I armed myself with three needles, certain I would have to juggle with them and risking my eyes while knitting the lace edging around the shawl.

The pattern is a modification of an edging in Jane Sowerby's Victorian Lace Today, my Lace Bible.

Last week a Norwegian book I'd sent for arrived, wonderful Usynlege trådar i strikkekunsten ("Invisible threads in the art of knitting") by Annemor Sundbö, who was at the knitting camp I attended a few weeks ago.

Now, I know I'm being really immature, that I should focus on what a treasure the book is with its wealth of patterns and pictures and texts about different aspects of the socio-cultural history of knitting, and on what a great writer and lecturer Sundbö is. I know my Norwegian neighbours must be sick and tired of Swedes' childish comments. I know that words that look identical often have different meanings, even in closely related languages.

However... (You could see that word coming!) The cover does make me laugh. The name of the publishing house would always look, say, rather suggestive to Swedish eyes. Next to a well-worn mitten I'd say it's perfectly mind-boggling.

Kungsängslilja no 2

Kungsängslija no 2
Originally uploaded by Asplund

There have been so many knitting-related activities since my last post that I haven't found the time to blog about them. (Well, quite a lot of non-knitting activities have kept me from blogging too... Work, for example. ) I finished the second Kungsängslilja vest a few weeks ago and am happy with how it turned out. For a while I was worried the back of the neck wouldn’t be wide enough, but adding neck gussets (something I learnt from Alice Starmore’s Fishermen’s Sweaters) did the trick.

I spent the very last days of my vacation, August 5-8, at a knitting camp held at Väddö to the north of Stockholm. The very start was auspicious, as I got to sit next to Stickigt on the bus. We first met at a knitting camp in 2006 (the first one I attended) and have met a few times since then. It was a treat seeing other blogging knitter friends again, like Marias garnhändelser, Sannstick, Tålamodspåsen, Stickor o spån and En till. (Links to their blogs in column to the right), as well as non-blogging knitter friends I’ve made the past few years. Fortunately, there was time to make some new friends too – one of the many advantages of spending a few days together!

The workshops I attended were excellent. First there was Estonian mitten patterns taught by Estonian designer Riina Tomberg. Then a whole day with designer idol Britt-Marie Christoffersson, testing different finishing touches. Would you believe it, she had prepared her workshop by knitting a square for each participant to work with so we wouldn’t have to waste time. I added a border to it, a kind of frill, and tried different kinds of fringes (photo here). I also tested one of her patterns in all the combinations possible with three colours (photo here). Isn't it fascinating what a difference it makes simply moving colours around?

Last but not least, I learnt tapestry crochet, traditional patterns from Korsnäs in Finland. They’re famous for their partly knitted, partly crocheted sweaters.

There were also great lectures by Uuve Snidare, Annemor Sundbö and Celia B. Dackenberg. In short, a veritable knitting orgy. Feel free to envy me.

My current project is a lace shawl where I’m using the Marianne Kinzel’s ”Springtime” pattern modules to knit a different shape; I found inspiriation in Maureen Egan Emlet’s “Mediterranean Lace” shawl in A Gathering of Lace. The yarn is Wetterhoff's wool-silk blend Viva.

"Kungsängslilja" no 2: steeks

"Kungsängslilja" no 2: steeks
Originally uploaded by Asplund

The use of steeks is easily one of my favourite features to make knitting sweaters easier and wearing them more comfortable. What's more, my steek skills have improved a lot over the years. Apart from learning by doing, I thank primarily Alice Starmore's Fishermen's Sweaters for what I know today.

Most important, I don't make use of sewing machines anymore. For a long time I did before cutting the armholes open for my knitted cylinders - and overused them too out of fear the sweater would unravel. Those seams are rather stiff, not so much to make the sweaters uncomfortable to wear, but enough to annoy me.

However, I do my best to see them as proof that my confidence and skills have developed, since I don't feel the slightest need to use a sewing machine today. In addition, I must say it's very satisfying not having to use a machine at all as I like doing as much as possible by hand. It's nice being able to do things without depending on electricity!

"Kungsängslilja" no 2

"Kungsängslilja" no 2
Originally uploaded by Asplund

I'm knitting a new version of a vest I made in November. They're practically identical; however, I'm modifying the shape slightly and have chosen a different shade of lighter pink. I think I prefer the new combination. There's more contrast in the first version, which I think creates visual interest, but the softer change in the second version appeals to me too.

Hard as it may be to believe, I had to have a break from knitting for a few days as my left shoulder was too sore. I first thought it might be due to spending an afternoon crocheting the bind-off edge around the Springtime shawl, but have decided to blame it on cooking instead. (In this case cooking=boiling some potatoes.)

This is my 100th blog post! I had no idea last spring there were so many things I'd want to write about my knitting.

Springtime shawl: dry

Springtime shawl
Originally uploaded by Asplund

Here's a photo that shows the pattern better than the one in my previous post, where the shawl is folded in half on a blue towel. All I need now is an owner! :-D

6 July:

Rats! I accidentally deleted a new comment I was about to open. My apologies to whoever wrote it!

Blocking the Springtime shawl

Blocking the Springtime shawl
Originally uploaded by Asplund

I've folded the shawl in half to make it easier to block; not only out of a lack of space, but mainly to make sure the two halves become identical in size and shape.

It's a method I've tried before and I think it's far easier than measuring and rearranging the shawl and all the needles. When it's dry I'm going to dampen the middle of the back and reblock that part to avoid a crease.

Blocking has made it grow considerably in size, from each of the three triangles measuring 46x100 cm (18x39½ in) to 75x120 cm (29½x42 in). In this photo you can also see how much yarn I ended up not using - a close call!

Actually, I had to change my plans and skip the border along the top, realizing there wouldn't be enough yarn after all. Chart C (the big squares without leaves) was far more yarn-consuming than I expected. I had taken it into account how much many more repeats there would be, but hadn't studied the charts closely enough to discover how many more stitches there are in some rows. For example, a repeat consists of 24 stitches in one row, but 32 in another. That makes quite a difference when a row consists of 18 repeats!

This is my first attempt at a crocheted bind-off; I think it suits the pattern very well and it wasn't difficult, so I'm more than likely to do it again. After some experimenting I decided a chain of five stitches would be enough; the pattern has nine, but considering how little yarn I have left it was definitely a good decision to make them shorter.

Springtime shawl progress

Springtime shawl
Originally uploaded by Asplund

There should be enough yarn for five repeats of leaves plus the bottom section; hopefully, also a knitted-on border along the top.

My plan is to reuse this scalloped border from Jane Sowerby's treasure of a book Victorian Lace Today.

Springtime shawl

Springtime shawl
Originally uploaded by Asplund

In Marianne Kinzel's First Book of Modern Lace Knitting there's a square-shaped table cloth that I admire and believe would be fun to knit. As I neither need nor want a knitted table cloth I've decided to modify the pattern to make a shawl instead. Not that I need shawls either, but I do need to make them.

The square design consists of four triangles, so by skipping one of them and knitting back and forth instead of in the round I will get a shawl shape I really like and have knitted a few times before (like this shawl). It looks comfortable to wear, staying on the shoulders far better than a triangular shawl. It seems easier to sit down wearing it too, since the back is horizontal.

I first cast on to knit the "Gerda stole", a pattern on Ravelry, thinking this colour would suit the pattern extremely well. I still think so, but ripped it out realizing I would soon get fed up knitting a rectangle. In some ways I'm very patient, in other ways not.

Off topic: I've been house-sitting and taking care of Sigge for a few days. Very relaxing!

If I may say so myself, I got the size and shape of the "Pacific" sweater right! It's far too hot to wear it these days, but I don't mind. Winter was so long and cold I'm still almost surprised every morning to find it's summer!

"Pacific" sweater finished

One of the many things I love about this yarn (BC Shetlandsuld) is how much softer it becomes when washed. It suits me perfectly, because I prefer working with yarn that isn't too soft and slippery but like most people (I hope!) would rather not wear a scratchy sweater.

Modifications in short:

1. Bluish-green stripes made wider (because I like the colour so much and wanted to make it more dominant).
2. Purl stitches around cables (for a deeper relief effect).
3. Sleeve cap shaped (for comfort and to practise shaping stranded caps with short rows).
4. Parallelograms added to sleeves (to make them more fun to knit than just stripes and cables).
5. Side cable in the middle continued along sleeve (because I like hidden details).

Here's what the shoulder join looks like:

Royal company

Royal company
Originally uploaded by Asplund

Today I was delighted to get to meet a great knitter and fellow Raveler from Norway for the first time! We first got in touch on Flickr a few years ago. I only wish I could have stayed longer today. Next time in Norway?

Of course, it is always a treat seeing Born to knit, Maria and Karin too. We also caught a few glimpses of the royal wedding (Crown Princess Victoria) from two screens on the café walls, but I do prefer Knitting Royalty and so found it very easy to concentrate on my friends instead.

Speaking of great knitters, my grandmother who taught me how to knit would have turned 90 today. How many knitting hours we could have spent together during the past twenty years!

The joy of blocking

Anna's shawl
Originally uploaded by Asplund

I love blocking shawls! This time the total width grew by some 38 cm (15 in).

Tomorrow I've got two knitting-related activities to celebrate the first day of my summer holidays: having lunch with Anna to give her this shawl and see how it looks on her, and in the evening meeting up with my knitting & sewing group from work.

I did manage to knit in public on Saturday, joining other members of group Uppmaskan at the train station in Uppsala.

Unfortunately, I could only stay for some 20 minutes, between the opening of an art show where a cousin of mine is represented, and a colleague's birthday party. Toil and moil...

Happy shawl!

"Lady's Circular Cape"
Originally uploaded by Asplund

The shawl I finished a couple of weeks ago got to meet Annika last night. I hope and believe they will live happily ever after!

More "Pacific" progress and knitting camp

WIP: Isager's "Pacific"
Originally uploaded by Asplund

Here's a better photo of how I've let the middle side cable continue along the sleeve. Another modification is purl instead of knit stitches next to the cables.

I haven't mentioned the knitting camp I'm going to in early August. (My birthday present for myself - sometimes I'm really generous!) It will be such a treat meeting old and new knitting friends, and I'm more than happy with the workshops I've been allotted:

1. Decorative details in Estonian knitting
2. Traditional tapestry crochet patterns from Korsnäs in Finland
3. Different decorative elements with Designer Idol Britt-Marie Christoffersson! "I guess I'm just a lucky so-and-so," to quote a song by Duke Ellington.

Two other knitting idols will be there too: Celia B. Dackenberg, who wrote Ylle & bläck (Wool & Ink) about knitting in literature and writers' knitted garments, and Uuve Snidare whose book Fiskartröjor (Fishermen's Sweaters) is one of my top favourites - she's the one who reconstructed the Russian sweater from Unskijposad. I'm thrilled to pieces!