The use of steeks is easily one of my favourite features to make knitting sweaters easier and wearing them more comfortable. What's more, my steek skills have improved a lot over the years. Apart from learning by doing, I thank primarily Alice Starmore's Fishermen's Sweaters for what I know today.
Most important, I don't make use of sewing machines anymore. For a long time I did before cutting the armholes open for my knitted cylinders - and overused them too out of fear the sweater would unravel. Those seams are rather stiff, not so much to make the sweaters uncomfortable to wear, but enough to annoy me.
However, I do my best to see them as proof that my confidence and skills have developed, since I don't feel the slightest need to use a sewing machine today. In addition, I must say it's very satisfying not having to use a machine at all as I like doing as much as possible by hand. It's nice being able to do things without depending on electricity!
Saturday, 31 July 2010
Saturday, 10 July 2010
"Kungsängslilja" no 2
I'm knitting a new version of a vest I made in November. They're practically identical; however, I'm modifying the shape slightly and have chosen a different shade of lighter pink. I think I prefer the new combination. There's more contrast in the first version, which I think creates visual interest, but the softer change in the second version appeals to me too.
Hard as it may be to believe, I had to have a break from knitting for a few days as my left shoulder was too sore. I first thought it might be due to spending an afternoon crocheting the bind-off edge around the Springtime shawl, but have decided to blame it on cooking instead. (In this case cooking=boiling some potatoes.)
This is my 100th blog post! I had no idea last spring there were so many things I'd want to write about my knitting.
Saturday, 3 July 2010
Springtime shawl: dry
Here's a photo that shows the pattern better than the one in my previous post, where the shawl is folded in half on a blue towel. All I need now is an owner! :-D
6 July:
Rats! I accidentally deleted a new comment I was about to open. My apologies to whoever wrote it!
Friday, 2 July 2010
Blocking the Springtime shawl
I've folded the shawl in half to make it easier to block; not only out of a lack of space, but mainly to make sure the two halves become identical in size and shape.
It's a method I've tried before and I think it's far easier than measuring and rearranging the shawl and all the needles. When it's dry I'm going to dampen the middle of the back and reblock that part to avoid a crease.
Blocking has made it grow considerably in size, from each of the three triangles measuring 46x100 cm (18x39½ in) to 75x120 cm (29½x42 in). In this photo you can also see how much yarn I ended up not using - a close call!
Actually, I had to change my plans and skip the border along the top, realizing there wouldn't be enough yarn after all. Chart C (the big squares without leaves) was far more yarn-consuming than I expected. I had taken it into account how much many more repeats there would be, but hadn't studied the charts closely enough to discover how many more stitches there are in some rows. For example, a repeat consists of 24 stitches in one row, but 32 in another. That makes quite a difference when a row consists of 18 repeats!
This is my first attempt at a crocheted bind-off; I think it suits the pattern very well and it wasn't difficult, so I'm more than likely to do it again. After some experimenting I decided a chain of five stitches would be enough; the pattern has nine, but considering how little yarn I have left it was definitely a good decision to make them shorter.
Tuesday, 29 June 2010
Springtime shawl progress
There should be enough yarn for five repeats of leaves plus the bottom section; hopefully, also a knitted-on border along the top.
My plan is to reuse this scalloped border from Jane Sowerby's treasure of a book Victorian Lace Today.
Thursday, 24 June 2010
Springtime shawl
In Marianne Kinzel's First Book of Modern Lace Knitting there's a square-shaped table cloth that I admire and believe would be fun to knit. As I neither need nor want a knitted table cloth I've decided to modify the pattern to make a shawl instead. Not that I need shawls either, but I do need to make them.
The square design consists of four triangles, so by skipping one of them and knitting back and forth instead of in the round I will get a shawl shape I really like and have knitted a few times before (like this shawl). It looks comfortable to wear, staying on the shoulders far better than a triangular shawl. It seems easier to sit down wearing it too, since the back is horizontal.
I first cast on to knit the "Gerda stole", a pattern on Ravelry, thinking this colour would suit the pattern extremely well. I still think so, but ripped it out realizing I would soon get fed up knitting a rectangle. In some ways I'm very patient, in other ways not.
Off topic: I've been house-sitting and taking care of Sigge for a few days. Very relaxing!
If I may say so myself, I got the size and shape of the "Pacific" sweater right! It's far too hot to wear it these days, but I don't mind. Winter was so long and cold I'm still almost surprised every morning to find it's summer!
Monday, 21 June 2010
"Pacific" sweater finished
One of the many things I love about this yarn (BC Shetlandsuld) is how much softer it becomes when washed. It suits me perfectly, because I prefer working with yarn that isn't too soft and slippery but like most people (I hope!) would rather not wear a scratchy sweater.
Modifications in short:
1. Bluish-green stripes made wider (because I like the colour so much and wanted to make it more dominant).
2. Purl stitches around cables (for a deeper relief effect).
3. Sleeve cap shaped (for comfort and to practise shaping stranded caps with short rows).
4. Parallelograms added to sleeves (to make them more fun to knit than just stripes and cables).
5. Side cable in the middle continued along sleeve (because I like hidden details).
Saturday, 19 June 2010
Royal company
Today I was delighted to get to meet a great knitter and fellow Raveler from Norway for the first time! We first got in touch on Flickr a few years ago. I only wish I could have stayed longer today. Next time in Norway?
Of course, it is always a treat seeing Born to knit, Maria and Karin too. We also caught a few glimpses of the royal wedding (Crown Princess Victoria) from two screens on the café walls, but I do prefer Knitting Royalty and so found it very easy to concentrate on my friends instead.
Speaking of great knitters, my grandmother who taught me how to knit would have turned 90 today. How many knitting hours we could have spent together during the past twenty years!
Wednesday, 16 June 2010
The joy of blocking
I love blocking shawls! This time the total width grew by some 38 cm (15 in).
Tomorrow I've got two knitting-related activities to celebrate the first day of my summer holidays: having lunch with Anna to give her this shawl and see how it looks on her, and in the evening meeting up with my knitting & sewing group from work.
I did manage to knit in public on Saturday, joining other members of group Uppmaskan at the train station in Uppsala.
Unfortunately, I could only stay for some 20 minutes, between the opening of an art show where a cousin of mine is represented, and a colleague's birthday party. Toil and moil...
Thursday, 3 June 2010
Happy shawl!
The shawl I finished a couple of weeks ago got to meet Annika last night. I hope and believe they will live happily ever after!
Tuesday, 1 June 2010
More "Pacific" progress and knitting camp
Here's a better photo of how I've let the middle side cable continue along the sleeve. Another modification is purl instead of knit stitches next to the cables.
I haven't mentioned the knitting camp I'm going to in early August. (My birthday present for myself - sometimes I'm really generous!) It will be such a treat meeting old and new knitting friends, and I'm more than happy with the workshops I've been allotted:
1. Decorative details in Estonian knitting
2. Traditional tapestry crochet patterns from Korsnäs in Finland
3. Different decorative elements with Designer Idol Britt-Marie Christoffersson! "I guess I'm just a lucky so-and-so," to quote a song by Duke Ellington.
Two other knitting idols will be there too: Celia B. Dackenberg, who wrote Ylle & bläck (Wool & Ink) about knitting in literature and writers' knitted garments, and Uuve Snidare whose book Fiskartröjor (Fishermen's Sweaters) is one of my top favourites - she's the one who reconstructed the Russian sweater from Unskijposad. I'm thrilled to pieces!
Friday, 28 May 2010
"Pacific" progress
I'm knitting the second sleeve, shaping the cap with short rows and then knitting in the round.
In the instructions there is no shaping, but I like the way it removes excess fabric. Also, I decided to frame the cable with a white vertical row where I picked up stitches (see left sleeve). I did this with a crochet hook.
Another modification is the way I have changed the sleeve pattern. Instead of the original design's striped sleeves with two cables (which I thought would be too monotonous to knit) I have used the parallelograms from the body for the sleeves too; only two, though, and placed closer to each other.
Still, my sleeve does have a cable too: I picked up the stitches of the middle side cable to let it run from hip to wrist.
Last, I'm happy to be able to brag about getting the Beautiful blogger award a second time, now from Ann. Mange tak! I hope you don't mind my simply linking to the post about seven things about myself.
Friday, 21 May 2010
Before and after
Same miraculous transformation every time one blocks a shawl! I finished the knitted-on edge late last night, and decided to wash and block it before going to bed. It was dry in the morning, so now it's just waiting to be wrapped around my friend Annika's shoulders.
This is a project I will associate with many pleasant things; to name just two:
1. The memorable afternoon I met up with fellow Raveler Ian to go yarn hunting in Stockholm. This yarn was my prey.
2. The company of my greatcolleagues. We started a knitting and sewing group a couple of months ago, and last night Mimmi invited us and our projects to her beautiful house outside Uppsala. After a long and unusually cold winter, being able to spend a warm and light evening in a garden felt almost surreal. We were quite spoiled too: home-made rhubarb pie and elderflower juice. Delicious!
This is a project I will associate with many pleasant things; to name just two:
1. The memorable afternoon I met up with fellow Raveler Ian to go yarn hunting in Stockholm. This yarn was my prey.
2. The company of my greatcolleagues. We started a knitting and sewing group a couple of months ago, and last night Mimmi invited us and our projects to her beautiful house outside Uppsala. After a long and unusually cold winter, being able to spend a warm and light evening in a garden felt almost surreal. We were quite spoiled too: home-made rhubarb pie and elderflower juice. Delicious!
Saturday, 15 May 2010
Circular Cape no 2
One of my favourite yarns is Wetterhoff's Viva, a shimmering wool-silk blend - like knitting with champagne! I recently found three skeins in a colour I hadn't seen before and thought it was my duty to buy them, and it didn't take more than a couple of days to decide what to use them for.
I'm knitting "Lady's Circular Cape in Shell Pattern" by Jane Sowerby (Victorian Lace Today), a design I first knitted exactly a year ago and gave to my aunt ("Lady Caroline's Circular Cape"). This one will be "Lady Annika's Circular Cape", for a dear friend and shawl lover who's moving back to Sweden after quite a few years abroad. Hooray!
Some modifications:
1. Wedge-shaped repeats elongated with increase rows placed more regularly in the original pattern, where it grows very quickly towards the end.
2. 5 repeats instead of 12 to keep her extra warm in the winter.
3. Edging knitted with slightly thinner needles.
Feel like something new for your computer desktop? How about some elephants from Mattias Inks?
Friday, 7 May 2010
IRL
A few weeks ago a fellow Raveler living in Paris wrote to me to ask about yarn shops in Stockholm, since he was going to spend a few days there. Fortunately, it was possible for us to meet up there and go yarn hunting together. Here we are at our third stop, Maria's garn, in front of my favourite shelf (BC Shetlandsuld galore). It's such a treat getting to meet other Ravellers in real life!
I enjoy my "Pacific"sweater project very much, and it's time to decide how to shape the neck. Sometimes I don't do it low enough, so this time I'm going to take the time to figure out exactly how to shape it.
I discovered a sp
lit stitch the other day, but it wasn't very difficult to fix; it helps that the pattern practically consists of vertical stripes. After making a ladder with the help of a blunt needle, I used a crochet hook to make new stitches.
Returning to the subject of fellow knitters, xtine wrote something wonderful a few days ago that I want to quote: that a good knitted garment should feel like Sarah Vaughan sounds. I agree completely. (Although trying to make a garment of that kind would be aiming impossibly high - not that there's anything wrong with aiming that high, of course!) I first fell under Vaughan's spell some fifteen years ago, and the past few months I've been unusually addicted to her voice. Pure luxury. Last, I would also like to quote Caprifool's comment on a previous post, that knitting is like writing music for the eye.
I enjoy my "Pacific"sweater project very much, and it's time to decide how to shape the neck. Sometimes I don't do it low enough, so this time I'm going to take the time to figure out exactly how to shape it.
I discovered a sp
lit stitch the other day, but it wasn't very difficult to fix; it helps that the pattern practically consists of vertical stripes. After making a ladder with the help of a blunt needle, I used a crochet hook to make new stitches.Returning to the subject of fellow knitters, xtine wrote something wonderful a few days ago that I want to quote: that a good knitted garment should feel like Sarah Vaughan sounds. I agree completely. (Although trying to make a garment of that kind would be aiming impossibly high - not that there's anything wrong with aiming that high, of course!) I first fell under Vaughan's spell some fifteen years ago, and the past few months I've been unusually addicted to her voice. Pure luxury. Last, I would also like to quote Caprifool's comment on a previous post, that knitting is like writing music for the eye.
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