Just in time

Härjarö, a photo by Asplund on Flickr.

Last weekend I was lucky enough to be one of the workshop leaders in this beautiful building. What's more, I was lucky to get there in time (well, two minutes before my first workshop started) as something went wrong with the car I was going to borrow from a friend. This happened on Friday evening and I needed the car in the morning... Born to knit and I had to take the train to the nearest town instead, where one of the participants was kind enough to pick us up and drive us to Härjarö.

It would have been great to be able to stay the whole weekend, but a dear colleague of mine had a birthday party in the evening, so I had to rush from the knitting event as well - picked up by someone else who was going there and was kind enough to drive all the way to get me. There's nothing like friendliness!

What do you think I gave my colleague - a lace shawl, a polar-bear rug or my nephew?

Correct answer: a shawl based on Marianne Kinzel's "English Crystal" design in her First Book of Modern Lace Knitting. Yarn: "Viva" from Wetterhoff; 4 mm needles (US 6).

In reality the shawl is raspberry red. I'm not sure Kinzel would have approved as she cautions the reader not to use yarn "of a conspicuous colour, as this is not in the lace-making tradition." This isn't meant to criticize her; I just find it interesting how different opinions people can have about crafts. (Not to mention how one's personal opinions can change over time!) Also, I'm sure it makes a difference the book was first published in the 50s.


Speaking of shawls, at long last I have started a project using wonderful laceweight wool Kerry gave me last year. I've found inspiration in a fabulous Estonian stitch dictionary, The Haapsalu Shawl by Reimann & Edasi.

Estonian-Australian shawl

"Aberlady" sweater finished

"Aberlady" sweater, a photo by Asplund on Flickr.

About a week ago I finished my "Aberlady" sweater, but it took days (literally) for it to dry. This is one of my all-time favourite patterns, by my favourite designer Alice Starmore. A Flickr friend of mine suggested I rename this project "Aberlord" :-)

The photo above shows the pattern, but the photo below shows the colour of the yarn better, a light blueish grey of Rowan Creative Linen ("Foggy" 624). And in case you're wondering, yes, those are my lips. Kiss, kiss, dear readers!

I'm making "Water Lily" shawl progress. The photo in my previous post gives a better idea of the pattern, but in this one it is easier to see the shape I have in mind.

"Water Lily" shawl

Check out Ylva's glorious cuffs! Twined knitting, magnificently decorated.

Nu har "Aberlady" äntligen torkat - det tog flera dagar, men det var det värt att vänta på. Jag tycker att garnet (Rowan creative linen) är som gjort för den här sortens mönster, hälften lin och hälften bomull. Den är lite svår att fotografera, bara: i den övre bilden ser man mönstret men den undre gör färgen mer rättvisa. Och ja, det är jag som är i den om ni undrar - puss på er!

Sjalen jag håller på med är ett nöje att sticka! Den kommer att bli v-formad, och så tänker jag mig någon typ av kant runt den.

Goldilocks

"Haruni" shawl in progress, a photo by Asplund on Flickr.

In my previous post I mentioned I was knitting a sweater and a cardigan for a designer student and couldn't post photos of them.

They're finished, blocked, sent and accepted - but I can't publish photos of them for another few weeks. In short, both are fairly chunky, fisherman-style knitted with beautiful 4-ply wool from Harris.

Craving something light and airy I celebrated finishing them by casting on to make something completely different: reknitting "Haruni" by Emily Ross (Ravelry link). A couple of years ago I knitted it using Viva, a wool-silk blend; this time Rowan kidsilk haze, a mohair-silk blend.

Yesterday a colleague thought for a moment I was clutching a wig! :-)

Minor modifications (like last time):

• rows beginning and ending with stocking stitch (not garter stitch)
• stem in the middle three stitches wide (instead of one)

Mina två beställningsarbeten som jag nämnde i förra inlägget är klara, ivägskickade och godkända - men jag kan inte publicera bilder på dem ännu.

Efter att ha stickat en tröja och en kofta i tjockt och ganska strävt (men mycket vackert) garn behövde jag något lätt, skirt och fluffigt som motvikt. Tre nystan Rowan kidsilk haze blev det, och jag håller på och stickar mönstret "Haruni" av Emily Ross för andra gången. Gårdagens höjdpunkt var en kollega som avslöjade att hon ett ögonblick tyckte att det såg ut som om jag satt och höll i en peruk!

Lady's Circular Cape

Lady's Circular Cape, a photo by Asplund on Flickr.

Here's my friend and colleague Gunilla (Lady Gunilla) posing in the shawl I made for her. The pattern is from Victorian Lace Today by Jane Sowerby, and the yarn is Garnstudio Drops Lace, an alpaca-silk blend.

And here's a car that put a smile on my face this morning.

The Pale Cast of Thought

Bressay-ish hap wrap, centre section, a photo by Asplund on Flickr.

About a month and a half ago I started knitting Sharon Miller's "Bressay Hap Wrap", a free pattern from Rowan. I do like the design, but should have read the instructions carefully before casting on. After some consideration I have decided to frog what I've made and modify both the construction and the pattern. Here are the two main modifications:

Original design: four outer borders knitted separately with their corners sewn together.
Modified version: stitches for outer borders picked up around the centre section and knitted in the round to avoid seams.

Original design: all garter stitch.
Modified version: a combination of garter stitch and stocking stitch, partly for variation, partly to show and compare the difference in a single garment. (I'm bringing this project to Saturday's lace knitting workshop at GarnGalleriet.)

Encouraged by all the positive comments on my previous post I returned to Litet nystan to add even more to my stash of Shetlandsuld. Thank you! :-)

Ron and Francesca asked about Shetlandsuld, how it compares to Jamieson & Smith and Isager's Tvinni. I have actually never worked with J & S, so I don't know. I'd say Shetlandsuld is slightly rough to work with (which I like - not very fond of slippery yarns) but a lot softer after washing and blocking. It is quite similar to Tvinni, but thicker.

Ron also asked about the picot edge. First, I knit a few rows of stocking stitch; next a "knit two together, yarn over" row (even number of stitches); a few more rows of stocking stitch.

It is possible to fold and sew it in place, but I prefer knitting it in place through the cast-on loops: not only does it look neater to me, but it is also over and done with. I knit through every second loop, the ones about the yarn-over holes - I have found that doing so accentuates the points.

knitting the picot edge in place

Lace knitting

"Bressay Hap Wrap" in progress, a photo by Asplund on Flickr.

Here's my new lace project, "Bressay Hap Wrap" by Sharon Miller, a free pattern from Rowan. The yarn is also from Rowan, a blend of merino and alpaca called Fine Lace and I got it from Wincent in Stockholm. Thanks, Eva!

Speaking of lace knitting, as mentioned in a previous post I will be leading a couple of workshops with GarnGalleriet in Uppsala. The dates are settled, October 16 (all day) and 29 (afternoon). For more information, write to info@garngalleriet.se

(It feels rather silly writing this in English - as if anyone would even consider travelling from another country for a workshop - but changing languages in the middle of a blog post would also feel silly!)

But first a twined knitting workshop at Litet Nystan to warm up! I'm having fun preparing material and sort of relearning the techniques (studying what my fingers to more or less automatically by now) to be able to explain them well.

"Bressay Hap Wrap" by Sharon Miller

Cries and Whispers

Shawl in progress
Originally uploaded by Asplund

One "wing" done, so the shape is clearer now. This shawl is actually very much like what I had in mind, which hardly ever happens. There's usually quite a big difference between project-in-mind and project-in-reality, sometimes for the better and sometimes for the worse.

An example of the latter is this cardigan I made for my sister some ten years ago. The two colours looked great when I held the skeins together, but knitted they ate each other up, and you can barely see the pattern. Stripes would have worked, but not this kind of pattern.

What irritates me most about it is that I saw what was happening and still refused to see it, hoping (as far as I can remember) that blocking would make a difference. Not very realistic... Still, I'm happy with that cardigan because my sister likes it. Recipients' reactions can make quite a difference!

Edited to add: the photo of the white shawl against the red background suddenly made me think of a beautiful but deeply unnerving Ingmar Bergman movie that has haunted me since I first saw it quite a few years ago. Perhaps I should rename the shawl "Viskningar och rop"? (English title: Cries and Whispers.)

Crown Prince shawl no 2

Crown Prince shawl no 2
Originally uploaded by Asplund

Since I finished my first Estonian shawl I have been thinking about different ways to use the patterns in a different shawl shape. Well, I started thinking about it while knitting the first one. I'm usually most excited about my next project, which I surely have in common with many if not most knitters.

I'm very happy with how the first shawl turned out, but the almost square shape doesn't seem very practical to me: to wear it comfortably you'd have to fold it to make a triangle and then the pattern will disappear.

This time my plan is to combine the star pattern from Nancy Bush's book (which I love, both to knit and to look at) with small groups of nupps in a V-shaped shawl, a shape I tested knitting last year.

My "Jaws" sweater is resting for a while. I've knitted the sleeves but haven't decided how to knit the cuffs. I will probably repeat the coloured triangles from the body but am not quite sure exactly how.

Estonian shawl finished

Estonian shawl finished
Originally uploaded by Asplund

This is how my knitted-on edge turned out. Not sure how far my yarn would last I decided to knit a pattern that could be cast off practically any time; this one consists of two different pattern rows and two plain rows.

There was more yarn than I expected, so I ended with a few pattern rows with extra increases for more pronounced points. I'm pleased with the edge (I wanted something airy to balance the fairly compact main pattern) although I think the original design is prettier.

That goes for the whole shawl, by the way, even though I'm happy with my modifications - and even happier that I've left my old fear of experimenting and taking liberties with patterns behind. I've learnt a lot (and still do) from following instructions, but it's nice not to have to depend on them all the time.

My modifications in short:
1. Variation star motif used. It's bigger, so I made this shawl five stars wide instead of seven.
2. Garter-stitch border skipped.
3. Centre "grid" pattern resized to blend with the stars, and I added different groups of nupps to it.
4. Edge knitted on instead of made separately and sewn on. (Which keeps this from being a real Haapsalu shawl, but I guess it's safe to call it Haapsalu-ish!)

The finished shawl measures ca 115x105 cm (45x41 in).

Living on the edge

Estonian shawl wip
Originally uploaded by Asplund

Here's my first attempt at a border around the Estonian shawl. I really like the one in the original design (easy to see in the shawl knitted by Flickr's annalore) but knitting it separately and then sewing it on - no thanks. So, I decided to pick up stitches around the shawl and then knit the border pattern upside-down instead - and resize the pattern to match my number of stitches. (Anything to avoid sewing.)

Unfortunately, knitting a pattern with nupps in the round didn't work,at least not for me: no matter how I try one of the stitches next to a nupp becomes enormous, looking like a big hole. I thought about knitting this section back and forth instead, but finally decided to try something completely different instead. What I've done so far looks promising, but I haven't knitted enough for good pictures yet. Will get back!

Frogging the edge at least gave me an opportunity to take a picture of the shawl. I'm quite excited about it and wonder how big the finished shawl will be. Unblocked and without a border it's about 70 cm (27½ in) wide. I've knitted lace shawls with this yarn before and they grew considerably during blocking.

This one may not grow quite as much, though, since I'm using slightly thinner needles (3½ mm/ US 4) and I don't know if the nupps will make a difference.

Here are some basic notes how I knitted the baby cardigan:

• I cast on ca 90 stitches.
• After getting the desired width I knitted about 1/3 of the stitches with a separate thread (for the sleeve) and then went on as before.
• When the back was wide enough I did the same thing for the second sleeve and then went on to knit the second front.
• Strand removed and stitches picked up around the armholes; sleeves knitted in the round to desired length.
• Shoulder joins sewn together.
• Buttons sewn on and loops crocheted.
• Strings crocheted to be able to tie the two fronts together on the inside.

Happy new year, everyone!

Correcting a mistake

Winter mosaic
Originally uploaded by Asplund

The past few weeks have been unusually cold. I took these photos on my way to work last Thursday morning. It was almost -20 Celsius (-4 Fahrenheit) but fortunately it isn't that cold now.

I'm making progress with the Estonian shawl. My intention was to have identical groups of nupps in all the centre-section quadrangles, but mixed up rows and accidentally started too early the second time around.

I didn't discover this mistake until a couple of rows later, and instead of ripping these out I decided to correct my mistake by simply deciding this was what I wanted instead. Actually, it's a good opportunity to find out how different nupp patterns ideas will look in reality!

Shawl progress and sweater progress

Estonian shawl wip
Originally uploaded by Asplund

I'm having a lot of fun knitting the "Crown Prince" shawl from Nancy Bush's book, but can't resist making some modifications.

1. The star is the variation motif in the book. I really like it that there are variations of many of the motifs!

2. I've skipped the garter-stitch frame, simply because I'm not very fond of it, especially not combined with lace.

3. I've resized the centre section repeats, making them the same width as the stars. In the original design they are different and don't match, although it doesn't show that clearly thanks to the garter-stitch frame between the sections.

4. Personally, I like symmetry too much not to do something about it, though, and I also like blending pattern sections. Resizing meant making the repeats bigger, so I'm adding a little cluster of "nupps" too, barely visible in this photo. To be continued.

I've been working with my red sweater too: both sleeve caps are finished. I decided to make the second one while I remembered how I made the first one - and understand my hastily scribbled notes. You know, knitting held in one hand, pencil hopefully in the hand you normally write with...

I'm testing a new idea for sleeve gussets too, but I think that will have to be in another post.

Last but not least: dear friend E. is happy with the hat I gave her for her birthday.

Proving myself wrong

Estonian shawl wip
Originally uploaded by Asplund

In a previous post I mentioned that I'm not very fond of bobbles. Well, seeing this shawl by Rod on Flickr reminded me of my natural white Viva and the fact that I've only knitted a swatch or two testing a couple of patterns in Nancy Bush's book Knitted Lace of Estonia.

This is half a star, the Crown Prince pattern. I like it very much that the bobbles are fairly flat; the combination of them and the lace holes of roughly the same size is very appealing too, in my opinion.

Here's a photo of the shawl, made by Knitting Soo on Flickr. It's very pretty, but I can't help thinking about possible modifications... A frame consisting of rows of holes instead of garter stitch, for example.

Getting the tension right for the bobbles was a bit tricky, but didn't take very long after all. I've had more trouble with the tension in the stocking-stitch areas: for example, getting the loops for a bobble (a "nupp" in Estonian) loose enough tends to rub off on the surrounding stitches - and purling all the loops making a single stitch tends to make me purl the surrounding stitches too tight.

I enjoy knitting this kind of pattern a lot, primarily because it's something I haven't done before. (A tiny swatch about a year ago hardly counts.) Also, dear old wool-silk blend Viva is a delight to work with, and the sheen of it makes the bobbles almost look like pearls in daylight. Not captured in this photo due to severe lack of daylight.

A head of cabbage?

WIP: shawl
Originally uploaded by Asplund

Not quite. Less compact! Would you believe it, I managed to cram all the stitches around the shawl onto a single circular needle! Lace is stretchy, of course, but before picking up stitches around this shape I armed myself with three needles, certain I would have to juggle with them and risking my eyes while knitting the lace edging around the shawl.

The pattern is a modification of an edging in Jane Sowerby's Victorian Lace Today, my Lace Bible.

Last week a Norwegian book I'd sent for arrived, wonderful Usynlege trådar i strikkekunsten ("Invisible threads in the art of knitting") by Annemor Sundbö, who was at the knitting camp I attended a few weeks ago.

Now, I know I'm being really immature, that I should focus on what a treasure the book is with its wealth of patterns and pictures and texts about different aspects of the socio-cultural history of knitting, and on what a great writer and lecturer Sundbö is. I know my Norwegian neighbours must be sick and tired of Swedes' childish comments. I know that words that look identical often have different meanings, even in closely related languages.

However... (You could see that word coming!) The cover does make me laugh. The name of the publishing house would always look, say, rather suggestive to Swedish eyes. Next to a well-worn mitten I'd say it's perfectly mind-boggling.

Springtime shawl: dry

Springtime shawl
Originally uploaded by Asplund

Here's a photo that shows the pattern better than the one in my previous post, where the shawl is folded in half on a blue towel. All I need now is an owner! :-D

6 July:

Rats! I accidentally deleted a new comment I was about to open. My apologies to whoever wrote it!

Happy shawl!

"Lady's Circular Cape"
Originally uploaded by Asplund

The shawl I finished a couple of weeks ago got to meet Annika last night. I hope and believe they will live happily ever after!

Before and after

Before and after blocking
Originally uploaded by Asplund

Same miraculous transformation every time one blocks a shawl! I finished the knitted-on edge late last night, and decided to wash and block it before going to bed. It was dry in the morning, so now it's just waiting to be wrapped around my friend Annika's shoulders.

This is a project I will associate with many pleasant things; to name just two:

1. The memorable afternoon I met up with fellow Raveler Ian to go yarn hunting in Stockholm. This yarn was my prey.

2. The company of my greatcolleagues. We started a knitting and sewing group a couple of months ago, and last night Mimmi invited us and our projects to her beautiful house outside Uppsala. After a long and unusually cold winter, being able to spend a warm and light evening in a garden felt almost surreal. We were quite spoiled too: home-made rhubarb pie and elderflower juice. Delicious!

Circular Cape no 2

WIP: Lady's Circular Cape
Originally uploaded by Asplund

One of my favourite yarns is Wetterhoff's Viva, a shimmering wool-silk blend - like knitting with champagne! I recently found three skeins in a colour I hadn't seen before and thought it was my duty to buy them, and it didn't take more than a couple of days to decide what to use them for.

I'm knitting "Lady's Circular Cape in Shell Pattern" by Jane Sowerby (Victorian Lace Today), a design I first knitted exactly a year ago and gave to my aunt ("Lady Caroline's Circular Cape"). This one will be "Lady Annika's Circular Cape", for a dear friend and shawl lover who's moving back to Sweden after quite a few years abroad. Hooray!

Some modifications:
1. Wedge-shaped repeats elongated with increase rows placed more regularly in the original pattern, where it grows very quickly towards the end.
2. 5 repeats instead of 12 to keep her extra warm in the winter.
3. Edging knitted with slightly thinner needles.

Feel like something new for your computer desktop? How about some elephants from Mattias Inks?

"Leaves dancing" shawl finished

"Leaves dancing" shawl: before blocking
Originally uploaded by Asplund

Comparing the difference before and after blocking is always fascinating, especially when it comes to lace knitting. In this picture you can see the main pattern fairly clearly, but the bottom border looks all crumbled.

Nothing like the points in this picture:

Modifications
1. Three sections instead of one to get a crescent(-ish) rather than a triangular shape.
2. Rows 29-56 knitted three times instead of twice, since I used thinner yarn and needles than the instructions call for. It was easy adding rows and repeats to the design. (But I ended up with almost 700 stitches!)
3. At the very end I added six rows, continuing the pattern in the last section to close the points.
4. I skipped the crocheted edge, partly because I preferred the idea of knitted points at the very edge, partly because I was simply too lazy to try to understand the instructions. Charts with explanations in German was ok, but written instructions with abbreviations proved too much when I was eager to finish the shawl. Here's a picture of the original edge.
4. Stitches picked up along the hypotenuse (or what would have been the hypotenuse if I had knitted the original triangular shape) to add a border. I think it helps making a shawl look finished.

Measurements
Width top: 155 cm/61 in.
Width bottom: 390 (3x130) cm/154 in.
Lenght back: 70 cm (27½in)
Length diagonal between each section: 95 cm (37½ in)

The yarn, Viva (a wool-silk blend) from Finnish Wetterhoff, is wonderful: beautiful and a delight to work with. There's a lot of surplus dye in it, though, and it bled a lot when I washed the shawl. I rinsed the shawl at least fifteen times.

I like it that winter doesn't keep people from using their bikes!

Edited to add: here's a link to the shawl pattern.

"Leaves dancing" shawl: progress

WIP "Leaves dancing" shawl
Originally uploaded by Asplund

I'm very fond of this design: it's both beautiful and fun to knit. At first I wasn't sure about the rib effect of the knit and purl lines, but now I think it enhances the shape of the leaves.

It makes the wrong-side rows less monotonous to knit too, since they don't consist of purl stitches only. (Which is what I often prefer since it requires less concentration, I should add.) I also think new leaves are incorporated into the design in an elegant way.