St. Brigid finished

St. Brigid: attaching neckband, a photo by Asplund on Flickr.

This is the first time I've knitted a neckband separately before sewing it in place - but probably not the last time! It was rather tricky getting the length right and making the seam neat, but I really like the horizontal braid: a glorious finishing touch to an already gorgeous design. Starmore for president!

I added a finishing touch of my own: framing the sleeves with cables that slant in opposite directions. When joined by the sleeve seam they form a new cable pattern.

sleeve seam

With this sweater finished I thought I'd return to the 19th century-style "spedetröja" I started a some time ago and that has been lying waiting patiently in my bag the past couple of weeks. But lying under what? Look at the tip of the needle! Perhaps it bent out of resentment being neglected.

Domino sweater: back

Domino sweater progress, a photo by Asplund on Flickr.

This construction is quite unlike any sweater I've knitted before, and I'm in complete awe of Marianne Isager's skills as a designer.

I've knitted the shapes that make up the main part of the front (some of them halves to get straight sides and to shape the neck) and have started knitting the back. It's like the front: you start in an upper corner and add the shapes diagonally.

I spent Easter away from temperatures below zero and snow. No sign of yarn stores, but that doesn't really matter when you can bring your own yarn - even if it would have been nice to add some Maltese yarn to my stash. Instead I returned to Sweden with freckles, stronger legs from hours of walking instead and memories of new sights and new flavours. (When I'm abroad I always get interested in food in a way I never am at home and want to try things not likely to be found in Sweden. Sea urchin, for example, which was a treat.)

Valletta, Malta

Same but different

Domino sweater in progress, a photo by Asplund on Flickr.

You get a different effect knitting Marianne Isager's design with a single colour. In her original sweater there is more focus on the shape of the individual mitred squares, while my version will emphasise the overall effect of the combination of them: panels rather than squares, since the vertical lines stand out.

I like both of them, so I might make another one similar to the sweater in the book some day. Isn't fascinating what a difference even a minor change of colour(s) can make?

Domino sweater in progress

Domino sweater in progress, a photo by Asplund on Flickr.

There have been unusually many joys of knitting lately: all your comments on the Faroese sweaters make me very happy, I had a great weekend on the west coast as a workshop leader (twined knitting and lace patterns) and Marianne Isager's latest book arrived. She's one of my idols, so my expectations were high - and I was definitely not disappointed.

I've cast on to knit one of the sweaters, a design that consists of domino squares where you combine garter stitch and slipped stitches. The yarn is 2ply wool from Kampes, which I also use to knit the "spede" sweater I mentioned in my previous post.

Those sweaters are meant to be short and tight, and it's fun knitting a different sweater shape. The star pattern will cover the back and the sleeves, but not the front. Let's call it the bosom factor: the sweater is so tight that quite a few increases are necessary, and that would ruin the pattern. Therefore, the stars are in panels only with a stocking stitch area in the middle where all the increases are. This was not my own idea, but I got it from a 19th century sweater in a book I borrowed from Anna, who will get the sweater. Fortunately for me she will take care of the decorations once it's finished! Here is a beautiful example of a sweater made by Tålamodspåsen - who is more than capable of taking care of every single detail herself.

När bystfaktorn är hög gäller det att tänka efter innan man börjar med framstycket till en spedetröja. De ska ju vara korta och åtsittande, så det var nödvändigt att ha en hel del ökningar samtidigt som dessa skulle förstöra stjärnmönstret - och en slätstickad tröja är uteslutet. (Och då fuskar jag redan genom att ha alldeles för tjocka stickor för en riktig spedetröja. Hur tjocka? 2,25 mm.) I en bok jag har lånat finns det exempel på tröjor med ett slätstickat parti mitt fram där ökningarna ligger, så den lösningen knyckte jag med gott samvete.

Mitt andra (dvs senast tillagda) tröjprojekt är ett mönster ur Marianne Isagers senaste bok. Det är rätt roligt att lägga ruta till ruta, och jag tycker att effekten blir så fin med de vertikala linjerna som går mitt i rutorna. Till båda tröjorna har jag valt Kampes tvåtrådiga, och jag har skaffat det på Litet nystan i Stockholm.